Invitation to the TIES Launch Event

Are you a passionate educator seeking to enhance your students’ understanding of migration? Look no further! TIES has developed an innovaties series of teaching modules that will transform your classroom experience. After three years of work our nine, 45-minuted teaching modules are published.

The modules are tailored to different school subjects (history, geography, social science, literature) and cover different topics such as why people migrate, how immigration and asylum is regulated by states, or how migration relates to topics such as climate change, colonialism, inequality, identity and social cohesion.

After many years of work, we are excited to celebrate our Module Launch with you!

What to expect?

  • Discover the TIES Journey: Uncover the inspiring story behind the creation of our innovative teaching modules.
  • Explore TIES Teaching Modules: Get a sneak peek at our cutting-edge teaching materials designed to bring academic knowledge on migration to life.
  • Interactive Taster Sessions: Participate in hands-on activities to experience the modules firsthand.

Who should attend?

  • Teachers, educators, educational stakeholders and students

Where and when?

  • Date: 7th of November, 2023
  • Time: 5-7 PM (CET)
  • Location: International Institute of Social Studies (ISS), Kortenaerkade 12, 2518 AX The Hague; or online (ZOOM)

Register now!

📢 Don’t miss out on this opportunity to get inspiration on teaching migration and to explore collaborations between academica, schools and educational organisations!

RSVP here by 31st of October to secure your spot! For inquiries, contact teaching.migration@gmail.com.

Join us for a transformative educational experience and become a part of the TIES community. Together, let’s shape the future of migration education in European schools!

A group of young students sits on a sports pitch.

Bringing research into the classroom: What pupils in Vienna have learned from our module on climate change and migration

One week after testing our TIES Module on Climate change and migration in a workshop in a high school in Vienna, Alterlaa, in February 2023, with project lead Lea Müller-Funk and team member and teacher Kerstin Brinnich, we asked 16-year-old students to summarize what they have learned in their own words.

So much in advance: a lot!

These are their words:

To begin with, we analyzed and compared various images showing climate events. We distinguished which events happened quickly and which happened slowly. The first photograph was taken in Senegal and showed boats washed ashore as sea levels were rising. This event happened slowly. The second image was taken in the Philippines and portrayed a city devastated by a typhoon. This event happened quickly. In the third picture, we could see a building in Kiribati collapsing into the ocean. The sea level rise there happens slowly but steadily. The fourth picture was taken in Germany, in Erftstadt. You could see that the city was flooded. This event happened quickly.
(Onur Curi, Jason Seidl, Oskar Gao, Felix Viehberger, Ida Farkas)

Then we learned more about these contexts. The nation of Kiribati, for example, is at risk because the islands are just above sea level. With climate change, the sea level is rising, which endangers the population of Kiribati. Other problems include the vulnerable water supply system and tropical cyclones. The goal of the Kiribati government is to have climate change recognized as a legitimate reason for people to apply for asylum. Additionally, the President bought land in Fiji as a temporary safe haven. There is also a project in which 50,000 mangroves are planted on the coasts. Their roots are intended to reduce land erosion. Some citizens have already migrated to other countries. In the future, many will be forced to go abroad if the situation in Kiribati does not improve. But migrating is currently difficult because there is not yet the option to apply for asylum as a climate refugee.
(Kosta Orlic, Nadine Schmid-Schäfer)

In July 2021, there was a flood disaster in Germany, mainly in Rhineland-Palatinate and North Rhine-Westphalia, where many people died. The fire and rescue service responded promptly with the right skills and equipment. Many volunteers helped with the reconstruction and the state also provided a lot of support, such as tax breaks. In addition, an early flood warning system was installed. The disaster triggered a debate in Germany about the urgency of dealing with climate change.
(Emma Koch, Julian Le)

In Senegal, people suffer from coastal floodings caused by rising sea levels. They feel neglected by the government which fails to offer support. The fishermen of Guet N’dar don’t catch anything anymore, so they move to Mauritania to fish for a few months. However, they do not stay. After a few months, they take the money they earned there and return to Guet N’dar. Thus, they are able to build houses for their families that are further away from the sea and can stay in Senegal.
(Marela Duric, Larissa Grolig, Lara Mustedanagic)

In the example of the Philippines, the focus was particularly on the government’s reaction to the typhoon and on how satisfied or dissatisfied the residents were with the measures. We were also asked to put ourselves in the shoes of the people affected by the disaster and decide for ourselves whether we would have stayed, moved or emigrated. The typhoon that hit the Philippines is a very good example of the effects of climate change and the migration it might create. It shows how government decisions affect people’s lives.
(Alexander Pock, Matthias Bauer, Manuel Maschtera)

In the second part of the workshop, we performed a play. It was about different life situations in different climate scenarios. The actors were asked to make their decisions based on these scenarios.

  • Scenario 1: The sea level rises by a few meters and most coastal regions become uninhabitable.
  • Scenario 2: The average temperature increases dramatically. This leads to great damages in agriculture.
  • Scenario 3: Drinking water is becoming a rare commodity and very expensive. Even states with sufficient access to clean water must ration the resource.
  • Scenario 4: All of the above scenarios occur, and climate change is recognized as a reason to be granted refugee status.

(Stefan Blindu, Jonathan Lamprecht)

Six volunteers each received a card with some information about their characters (financial situation, age, gender, family, job). Then they had to position themselves on an imagined line. Depending on how the different scenarios affected them, there were five options to react:

  • You have to leave => 2 steps forward
  • You want to leave => 1 step forward
  • It does not affect you => 0 steps
  • You want to stay => 1 step backwards
  • You have to stay => 2 steps backwards

(Ajdin Hasanovic, Alexander Wojna, Carolina Calvo Villalain)

For example, Sarah played an elderly woman with three children and a low income. Thiemo was a well-paid and divorced young man with no children. Both lived in the Philippines. Our teachers read out the different scenarios one after the other and our task was to decide whether we can or were forced to stay in our home country or whether we can or were forced to move away. As an older woman, Sarah mostly decided to stay in the Philippines. Thiemo, on the other hand, mostly felt free to decide as he had a good income and no family to worry about.
(Sarah Vötsch, Thiemo Wihart)

What personal experiences did we have as actors?

  • “As a car engineer from Southern Germany and having both a family and a well-paid job, I found that I didn’t need to move as I wasn’t that badly affected.”
  • “As I was a politician from Tarawa, Kiribati, and had a husband, two children and a good income, I wasn’t as badly affected due to my financial situation, and I had a couple of opportunities to move away.”
  • “I was a farmer from Southern Germany, married with two children and inherited the farm from my parents. Having to take care of my family and the farm without a high income, I felt that I could not leave. I felt tied to my home even in exceptional situations such as environmental disasters.”

(Ajdin Hasanovic, Alexander Wojna, Carolina Calvo Villalain)

Our ideas for learning more

  • Reflections on how difficult it is to relocate an entire country (e.g. Tuvalu)
  • Possibilities to create digital archives to preserve cultures
  • Reading interviews with people affected by climate change

(Jacob Wonderka, Raphael Hainitz)

Pride & Joy Mural, Chicago, Illinois. Photo by Terence Faircloth from Flickr

Stereotypes, Unconscious Biases, and Teaching Migration in the Classroom: 10 Take-Aways from the TIES Workshop with Karim Amghar

‘’Through education we build the foundations of society, the problem is that the foundations of the Dutch education system as well as the European education system are, at large, incomplete’’. This is how Karim Amghar opened his online workshop on interactive and creative teaching methods on Monday 29th of November 2021. In a two-hour session, Karim shared his vision and insights as a teacher, writer and documentary maker on the importance of equal opportunities for students within the educational system. He also talked about methods to address diversity, inclusivity and migration in the classroom. Apart from the TIES team members, high school teachers from across Europe were present.

For Karim Amghar, addressing educational (in)equalities, diversity, inclusion in the classroom is the crucial starting point to teach larger societal phenomena such as migration, discrimination, racism and other axes of exclusion. Diversity is often thought of as being mainly about gender and ethnicity, while it also concerns more intangible aspects such as personal opinions, political standpoints, language skills, and socio-economic background. On a similar note, feeling included is often an emotional and intangible matter: inclusion is about whether one is able to be who one is – in the classroom but also in society at large. In this context, stereotypes and unconscious biases play a major role. By opening up the conversation about diversity in the classroom, discussions can then take place about larger societal issues and students’ opinions on sensitive topics.

Karim made clear that most of the judgements and opinions we carry stem from unconscious and conscious stereotypes we hold about others: We all carry biases with us as individuals, including teachers! During the workshop we collectively brainstormed for example on common stereotypes about women in society. Karim stressed the importance of doing such exercises and summing up stereotypes in order to become aware of them and ultimately let them loose their grip on our daily interactions. Stereotypes about others are embedded in our unconscious biases from which a lot of our daily actions emerge, while we might assume that we are aware of our value and judgement systems. Social media and influencers also play a major role in building students’ unconscious bias, especially as the ‘social’ part of our brain is most active until the age of 23.

Making students aware of their stereotypes and unconscious judgements allows to open up the conversation and cultivate more diverse and nuanced outlooks on different groups of people in society. Such conversations are likely to create some discomfort but, according to Karim, this is not problematic as such as discomfort actually triggers behavioral change, as long as it takes place within spaces which feel safe to all participants. A key point here is to start addressing diversity as something powerful and positive rather than regarding it as a problematic or difficult subject.

‘Making students aware of their stereotypes and unconscious judgements allows to open up the conversation and cultivate more diverse and nuanced outlooks on different groups of people in society. Such conversations are likely to create some discomfort but, according to Karim, this is not problematic as such discomfort actually triggers
behavioral change, as long as it takes place within spaces which feel safe to all participants. A key point here is to start addressing diversity as something powerful and positive rather than regarding it as a problematic or difficult subject. One way to do so is through a dialogue-centered teaching method called the ‘Talking Stick Method’. You can find the video and accompanying instructions shared by Karim on how to use and facilitate this teaching method in your classroom HERE.

Building on these insights, here are 10 strategies for teachers on how to allow for constructive discussions on diversity and topics related to migration and discrimination in the classroom:

  1. Build safety by opening up a dialogue (letting students speak from their perspectives) rather than by value judgments (presenting facts and then indicate the right/wrong side of the debate).
  2. Invest in fruitful dialogue during ‘peaceful times’, when the atmosphere in class is positive and calm, rather than starting a dialogue when something went wrong – practice in good times, use in bad times.
  3. When engaging in a dialogue with students, acknowledge at the beginning that feelings are important. Start by asking students about their feelings concerning a topic at hand. In general, people are more comfortable starting a conversation from their own perspectives than from facts.
  4. Sharing how you as a teacher feel at the beginning of a session can help students to relax. Share something about your morning/day, open up and be vulnerable in sharing personal stories.
  5. When addressing stereotypes, ask students to give practical examples in order to confront them later. Know that it is alright to feel uncomfortable in the classroom. Remind yourself that discomfort is one of the main triggers for behavioral change.
  6. Remember that the virtual space is part of your students’ daily lives. Ask your students how they are – offline and online: How was your day today? How was your day on social media? This will offer new opportunities to open up conversations about students’ opinions and experiences.
  7. Address diversity as something beautiful and positive rather than something difficult or problematic.
  8. Provide stories of positive, empowering and diverse role models who can influence students’ outlook on themselves, each other and society as a whole.
  9. Arts-based methods such as storytelling, theatre, arts, and music are great ways to address inequalities in the classroom as access to cultural activities is more difficult for children from lower socio-economic backgrounds. These methods are also often particularly effective in addressing social exclusion and other sensitive topics.
  10. Be aware of your own unconscious bias as a teacher. Reflect on the following questions: Do you unconsciously address certain students differently than others? Do you have low or high expectations of specific students? What does this do to your assessments/grading/feedback?
snapshot of student's audiovisual compositions

The TIES student challenge awards are out!

We are happy to announce that we received 34 submissions from school students across Europe who participated in the TIES student challenge and produced very interesting audio-visual collage about (i) what makes them feel at home when going for a walk around their neighborhood and (ii) the journey of an important object in their everyday life. Assessing the message and the creativity of the sound collage overall, we selected four winners and two honorary mentions, which showcase the diverse perspectives students have on migration and identity. Congratulations!

Take a look at their work below.

Winners

Tessa W.

What the TIES Jury says: Tessa’s collage retraces the production and transportation of a favorite piece of clothes, a Victorian blouse. She highlights in a very creative and original way the connection between migration and self-expression. The images and the sounds form a great interplay, and the choice to trace the blouse’s journey “backwards” makes for an interesting perspective. The collage manages well to capture the notion of an object that travels to find a home with someone who ends up loving it!

Introduction text

I’ve chosen to show one of my favorite clothing pieces. It’s a handmade Victorian blouse from a Lolita shop in China. This shop is very customer and worker friendly and also doesn’t ship in plastic. This blouse means a lot to me because I can express myself in it and make my ideal clothing style come to life.

Max S. and Nicolas G.

What the TIES Jury says: Max and Nicolas reflect on how their smartphones were produced. We found that their collage sends a powerful message in a creative manner that makes the audience reflect upon the human costs of production. They managed very creatively and effectively to combine the pictures with sounds.

Introduction text

There is no denying, blood is sticking on our smartphones. But that blood, which was caused by physical damage, is just one of the major problems of mobile phone production. If you were to cover all subjects of pain and suffering, you would need to think about a lot more things. Like People, that are mining all sorts of metals. Does not sound like a big problem to you? Well, then you must consider that the miners must let their sons and daughters work, because they themselves are just too poor, to feed them. These kids cannot go to school, they have no friends, no fun, and you certainly cannot talk about joy in their life. But those are not the only people connected to smartphone production, which are that poor. Factory workers in China are, even if at first glance it does not look like it, poor too. The conditions in those factories are extremely bad. They work constantly and are not allowed to sit, although they could. They are doing the exact same thing, all day and have to work unpaid overtime every day, because they would be getting fired if they weren’t. You just hear the harming sounds of those machines every day of the year. The factory workers can barely feed their children, because of the low income. We want to spread awareness for all the people who are playing candy crush, not knowing that their smartphone in fact is bleeding.

Matteo S.

What the TIES Jury says: Matteo’s collage retraces the concept, production and journey of his favorite sneakers.  We found that his collage is very original and embodies the migration of culture and the objects that symbolize that culture. His story follows very well the journey of his sneakers and shows also with a good note of humor how his big shoe size inspired him to look beyond Italian shoe shops.

Introduction text

I chose this pair of shoes, the Air Jordan 1, because I feel very attached to them. The concept of the shoe was conceived in 1985, by Michael Jordan, a famous American basketball player. Mine in particular is a success model from 2016, the coloration is also called “Kentucky” as it uses the colors of the same-named university.

The sneaker was produced in China and, because of the rarity and age of the model, I recently bought it used, but in good condition, from a guy in Phoenix, Arizona. I couldn’t buy it in Italy because of my very large shoe size, since unfortunately I wear 49.5 (US: 15), a very rare size. (To be clear, most shoes are only sold until size 47 or sometimes 46).

Marco F.

What the TIES Jury says: Marco’s collage combined the idea that objects can travel both through space and time. It is a well thought-through compilation of sounds and pictures that portray the diversity of migration – across generations and countries – that always surrounds us in our everyday lives. It made an interesting connection between the two prompts: things that migrate, and things that have a high personal importance to the author.

Introduction text (translated from Italian)

The three pictures I chose have a special meaning for me, in fact 2 of them (the bicycle and the book) are objects that belonged to my grandparents and have been used by three different generations and are still in almost perfect condition; in a way, one can say that these things have “migrated” through different generations. The third photo shows a collection of various sands and shells found in the various places where we have been on vacation and it reminds us of the beautiful experiences we have had.

I can therefore say that all the things I photographed, besides having, for me, a very precise meaning, have also “migrated”, even if in different ways.

Honorary mentions

Maddalena P.

What the TIES Jury says: Maddalena’s collage is a beautiful and artistic collage conveying her emotions and perspectives on places that matter to her. The reflective introductory text makes the pictures and sounds come alive and effectively turns them into a very personal identity walk through your past and present.

Introduction text

Today I was walking on the streets of my small village. I was observing the nature around me and taking pictures of the things that inspired me most, and while doing it I made a sort of jump in my past, both the most recent past and the farthest. I decided to take pictures of the things that belonged to my past, which are still part of my present. I have never felt attached to nature that much, however I am a great observer and I’ve always wanted to let nature enter my soul. When I was a child I used to go to the playground, but it was different from the one I saw today: I still remember the laughter of my friends, but today it was nothing like ten or twelve years ago. Since I felt sad because of that image, which is still impressed in my mind, I did not stop walking, and like a flashlight that can brighten the night, I was hit by a light: it was the sun, the red flowers and the sound of the birds chanting. It was the image of the animals resting in a garden. Thanks to this experience I understood the importance of being surrounded by people that you love and that love you as well. A tall tree, even if alone, is still lit by the sun, but in an abandoned playground the light is not enough, only the laughter of children would make it look more powerful.

Camilla F.

What the TIES Jury says: Camilla’s collage reflects on how the metro and her resemble each other. The piece makes an original connection between her thoughts and places which surround her and how our experiences in places sometimes mirror our ways of thinking. We especially liked how she combined the aesthetics of the images with sound.

Introduction text (translated from Italian)

The metro can seem a long way from what you consider home. But anything that is chaotic, full of people one different from the other getting on and off, represents a bit of home.  My house is always full of people coming in and out, because anyone is welcome at home. If there are people, there are voices, laughter, chatting, a bit like in a crowded place like the metro can be. But the people on the metro also represent a part of me, those many people who are different from each other are like my thoughts that most of the time are at odds with each other, without having any point in common. In short, even the metro, so far away and different from home, has something in common with me.

the hand of a person taking notes in front of a screen in an online meeting

Reflecting on the TIES Launch Event

After half a year of intense project work, during which we started establishing a network of engaged secondary school teachers across Europe, we thought it was time for everyone to meet up. Because of COVID, this happened later than initially planned, and online, but on 19 April, TIES team members finally met up with 11 teachers from across Europe – three from the Netherlands, three from the UK, two from Italy, and respectively one from France, Germany and Austria. The event was a fantastic opportunity for teachers and TIES team members to get to know each other, discuss the advances of the project and exchange ideas on teaching priorities and strategies.

After an icebreaking activity led by research assistants Dunja and Josef, team member Simona shared three key insights from research on migration that are often ignored in everyday discussions. Indeed, it is often assumed that we are living in an era of unprecedented migration, that the push-pull model is sufficient to understand migration and that climate and environmental change will lead to mass migration. Simona shared the most up-to-date scientific evidence on all three issues to put these statements into perspective. Teachers were very excited by the presentation, clearly showing interest for more such knowledge transfer in the future.

As next point on the program, Kristina presented the TIES student challenge, an educational contest about migration that invited students to rediscover the role of migration in their everyday surroundings in creative ways. Students were asked to submit an original audio-visual collage combining sound recordings and pictures that respond to the themes of ‘identity walk’ or ‘things that migrate’. We will publish the winning audio-visual collages over the summer. Take a look!

To round off the first TIES event, we wanted to gather teachers’ input on the ten module ideas we developed. Teachers expressed that they were particularly impressed by TIES ambition to not only discuss migration from a European perspective, but to convey global trends through diverse viewpoints and personal stories. Teachers were also really keen to use the planned modules on migration policies, migration journeys and the unequal access to mobility, as well as migration and climate change. However, they also came up with other ideas, suggesting modules on the role of media in migration or on the diverse effects of migration on the labor market. This brainstorming session was also an opportunity for teachers to share innovative projects or activities on migration with each other, such as walkofshame.eu that provides personal insights into the dire situation at Europe’s borders.

Although we only finished at 7pm, the entire TIES team came out of the event energized and full of motivation! We are now very excited to continue this discussion at the next TIES event that will take place in autumn – hopefully in real life! Stay tuned 😊

reasons for migration brainstorm board by students with a photo of one of our educator in the call teaching

Teaching while in lockdown: testing our first teaching module

In February, we had the opportunity to test our first teaching module, Drivers of Migration, with a group of secondary school students in Amersfoort, near Utrecht. We were very excited to run a pilot of our first teaching module as we needed feedback from students and teachers to improve the teaching module and to evaluate the validity of the overall approach taken by the TIES team. Although both the development and the execution of the module was a bit different than we had envisioned in the early stages of the TIES-project, it turned out to be a great success! In their feedback, students shared that they learned about migration in a refreshing and interactive way. At the same time, students also shared valuable suggestions on how we can make the TIES teaching modules even better.

In this blogpost we will walk you through our experience of developing and teaching in COVID-19 times.

Partnering with the school

In November last year, we reached out to Rob Molenkamp, a Civics (Maatschappijleer) teacher at the Vathorst College in Amersfoort, in the Netherlands. After introducing the TIES project to him, he readily agreed to do an interview during which we discussed the various ways to teach migration in the classroom and how TIES can best facilitate this. With his background in Theology and 25(!) years of teaching experience in secondary schools, Rob shared many interesting insights on creative approaches to teaching migration and how the topic of migration could fit in the current curriculum. What interested Rob in particular was to teach his students about migration before teaching them about Civics key concepts such as culture, identity, integration, socialisation and the pluralistic society. In his experience, students are expected to already have basic knowledge of migration prior to these lessons, but this was not always the case. Rob felt that this was a gap that our Drivers of Migration module could fill. Moreover, in line with Vathorst College’s educational philosophy on adaptive and student-centred-learning, Rob wanted to teach his students about migration through context-rich learning and by providing them with experiences, which the Drivers of Migration module promised to do.

Together, we decided to test the Drivers of Migration module in a ‘guest lecture’ format for Rob’s four Civics courses (HAVO 4) at Vathorst College.

Developing a teaching module in uncertain times

Rob’s reflections on teaching migration and teaching methods in secondary schools provided inspiring information that made us look critically at our teaching modules and the possible teaching and learning experiences that TIES could provide. We also faced an additional challenge: while the teaching modules have been conceived for on-site teaching, a couple weeks before our school visit, the Dutch government imposed new lockdown measures. One of these measures was to close all schools and switch to online teaching. Our teaching module became suddenly impracticable, because it wasn’t suitable for online teaching. As shown in our first blogpost, the TIES project has adapted to different COVID-19 measures before. So, while the new lockdown measure was unfortunate, it certainly didn’t hold us back from continuing our work.

Post-it notes with questions around migration

Together with Rob, we discussed our limitations and options with online teaching. In a matter of weeks, we completely changed the format of our teaching module: first of all, we shortened the length of the module, without leaving out essential information. Second, we embarked on a steep learning curve of possible online teaching platform that could help us accomplish our learning goals. Eventually, after some frustration, we managed to work our way through Google Meet and Jamboard. Third, we discussed creative ways to engage the students in a setting where they have to watch their computer screen for 60 minutes. Lastly, we collaborated with Rob and some adjustments to tailor the module to meet Rob’s requirement for a follow-up student assignment. As part of the brainstorming sessions we held to modify the module, Kristina even created a bonus soundscape assignment for motivated students who wanted to earn extra credits!

Within a couple of weeks, we adapted our teaching module to meet the requirements of an online setting, without reducing its interactive and engaging characteristics. We were ready to go!

Delivering the module as a ‘guest lecture’

With the enormous support and flexibility of Rob, we were able to offer our teaching module to four different senior (HAVO 4) classes. Our first class was on a Tuesday morning. The module required the students to read three migrant narratives and to reflect upon a set of questions ahead of class. In class, we could easily guide the students through a short quiz, a brief discussion based on the answers to the pre-assigned questions and guide the students through a critical thinking process on the dynamics of migration. To change the pace and stimulate students’ reflections on their own connections to international migration, we used a soundscape-exercise.

Despite the fact that it was 9 AM in the morning, all students actively participated in the teaching module. They weren’t shy to ask us questions about migration and they enthusiastically shared their thoughts and experiences during the exercises. However, some of the smooth running of the lesson was affected by the fact that the module was taught in English and, while the students had good command of English and they were notified in advance that the teaching language was English, some students felt uncomfortable expressing their thoughts in English. Dunja made sure to answer any students’ questions and offer translations in Dutch, which enabled a good discussion and reduced the effects of the language barrier.

The other three classes were held on Friday and they were taught in Dutch by Dunja and Rob as co-teachers. Similar to the previous class, the dynamic between the teachers and the students was energetic, and the students were very engaged during the exercises.

After the first class on Tuesday and after the three additional classes on Friday, we rounded up with a discussion with Rob to discuss his insights and evaluation of the lessons. It was very rewarding to reflect on the positive experiences and outcomes of our pilot and also to receive practical suggestions for improvements, as to make the TIES modules as valuable as possible for both students and teachers. We are thrilled to report that the students gave the module positive feedback. They appreciated our interactive approach and creative exercises and they complimented us on our own enthusiasm. Moreover, students appreciated how the TIES ‘Drivers of Migration’ teaching module corresponded to the content of their schoolbooks. This enabled them to readily connect the material they already learned to practical cases for further reflection and deeper learning. Students also reflected positively on how the module encouraged them to relate the topic to their personal experiences, bringing to topic to life. On the downside, students commented on the challenges of online teaching, particularly its effects on their attention-span.

Overall, we think it’s safe to say that this was an exciting, educational and rewarding experience for all of us. We’re very pleased with the valuable insights gathered from this pilot and would like to thank Rob and his students for this opportunity!

A graphic announcing the TIES student challenge.

The TIES student challenge – send us your audio-visual collage!

Ready for a challenge?

Are you bored of sitting at home, not being able to visit friends, meet new people, travel, or explore new activities? Are you curious to rediscover your everyday surroundings in a whole new way? Then participate in the TIES student challenge!

The Goal

The goal of the contest is to create an audio-visual collage that combines photos and audio-recordings to respond to one of the two prompts.

The Prompts

  1. Identity walk. Go on a journey through your neighbourhood and carefully observe the places you pass through or hang out at every day. Take pictures and sound recordings to show us what makes you feel at home and what is unfamiliar to you.
  2. Things that migrate. Choose one object that is important in your everyday life and retrace its journey. Ask yourself questions like: Who made it? Who used it before you? Where do its different parts come from? Take pictures and sound recordings that remind you of the origins and journey of this object.

Wait, what is an audio-visual collage?

An audio-visual collages combines sound recordings and pictures that share a story and illustrate ideas in creative ways.

Below you find an example audio-collage that can serve you as inspiration. This example does not answer the prompts from this challenge, but can give you a feel for what an audio-collage looks like.

Example audio-visual collage: Learning from different cultures

Introduction text: What I have learned from different cultures
I have learned many different things from other cultural influences. From cooking more diverse and delicious meals to learning Italian and going everywhere by bike. Different cultural influences have made my life more rich, diverse and joyful.
I was biking in Paris, but there it was an exception to bike and my Parisian friends asked me: “why don’t you just take the metro?”. Since I moved to the Netherlands, I realized biking is very normal. I feel safe and free to bike everywhere here and that makes me feel at home!
The kitchen jars remind me of all the new ingredients and recipes I have discovered through my housemates from Spain, Brazil, The Netherlands, Costa Rica and Italy. I am grateful for this because now I can cook more tasty food and share this with my friends and family.
I started learning Italian during the lockdown in 2020. Reading books is a great way to travel to different places with your mind. Learning other languages is fun I know that languages can also create barriers between people, but I find it fascinating that so many different languages, accents and dialects exist.

Woman riding on a bicycle
Italo Calvino's book Marcovaldo
Jars on a kitchen shelf with diverse contents

The Prize

  • Each winner will receive the following prizes:
    • Bluetooth ear plugs
    • Publication of your collage on our homepage
    • A small surprise
  • Only submissions that are complete and adhere to the guidelines will be considered.
  • The TIES jury will select two winners per prompt.
  • Winners will be individually contacted by 21 June and publicly announced on our social media and this homepage.

The Guidelines

  • The contest is open to all school students between 12 and 16 years old across Europe.
  • You can participate in the contest alone or with a friend.
  • The audio-visual collage must contain 3-5 photos and 3-5 audio recordings(max 1 minute) taken specifically for the challenge. Each photo should be accompanied by one audio recording. Use the sounds to express something that is important to you which the photo can’t capture. Adding sounds can show hidden parts, add contrasts, rhythms or another atmosphere to the picture. Feel free to experiment!
  • You can use a smartphone camera for taking photos or a smartphone voice-recording app for taking the audio recordings. Most phones have an integrated app to record sounds or you can download a recording app for free.
  • The audio-visual collage should be accompanied by a 100-250 word introduction explaining how your collage responds to the prompt. Tell us about what inspired you to take the recordings and photos and why they are meaningful to you. But keep in mind that the audio-visual collage should also speak for itself!
  • Submissions in all languages are allowed – but please be aware that if you use a language other than English, French, German, Dutch, Italian, Danish, Arabic, Polish, Spanish and Portuguese, you should provide a translation into English.
  • This contest is accessible for everyone, no prior photography or sound editing experience is needed.
  • Please make sure your submissions do not infringe on the privacy and copyright of others.
  • Please respect the local COVID-19 rules when taking the photos and audio recordings for your collage so as not to put you or others in danger!

Deadline & Submission

  • The contest will close on 31 May 2021, at 17.00 CEST (Amsterdam time).
  • Submit your collage here.

How we choose the winners

The audio-visual collages will be judged on how creatively they combine photos and sounds to respond to the prompt. We are not judging you on the quality of the images or sound themselves, but on quality of the collage as a whole. We will use the following criteria to choose the four winners:

Message: 50%
We are looking for audio-visual collages that have a clear message to tell and that explicitly respond to one of the prompts. Does the collage tell a compelling story, does it offer a new perspective on issues of identity and belonging, or origins and journeys?

Creativity: 50%
We want to see your personal creativity when trying to communicate a feeling or message through a combination of photos and sounds. Does your collage express something meaningful for you in innovative ways that make others reflect or be inspired?

Questions?

Contact us!
Facebook: www.facebook.com/TeachingMigrationEU
Email: teaching.migration@gmail.com

Are you a teacher?

We have prepared a short info sheet that you can print and hang in your classroom and send to your students and fellow teachers. You can download it here:

A female teacher stands arms crossed but smiling in front of children sitting in a classroom.

Three key take-aways from interviews with teachers

Where does the migration topic appear in European classrooms? What are teachers’ experiences with teaching migration? And what can TIES do to assist teachers in creating exciting learning experiences about migration?

Over the past months, we have conducted many interviews with high-school teachers from Austria, Germany, the Netherlands and the UK to find answers to these questions and gain insights into the diverse experiences and contexts of secondary school teachers across Europe. These interviews are essential for us to develop the teaching modules: we want to make sure the TIES material will be easy to use, integrates exciting and well-tested methods and is tailored both to the different curricula and interests of teachers. In this blogpost, we want to share with you three important insights from these interviews.

Migration in the classroom: diverse experiences

Confirming our background research so far, most teachers reported that migration as a topic appears only sparsely – if at all – in their curricula. Where it does, it is often addressed as a side topic or an optional field that teachers can choose to focus on. This is despite the fact that all teachers interviewed perceive it as a highly relevant topic, and one which students are generally very interested in and excited about. Interestingly, teachers also described very different experiences with teaching migration: the way the class discusses the topic seems to be highly dependent on how many of the students have experiences with or familial links to international migration themselves.

Teachers from less diverse schools told us that their students often engaged in vivid discussions about the “pros and cons” of migration. While many students take a moral stance and say that their countries should “help those in need,” teachers are also often confronted with students voicing negative stereotypes or political slogans. Rather than based on facts or knowledge learnt in school, teachers say these are often thoughts and literal sentences picked up within families or in the media. While some teachers directly address such stereotypes when voiced in class, others said they felt uncomfortable with the situation, partially because they lacked experience or guidance with dealing with this situation. This is what two geography teachers from England and Germany shared with us:

Within our teaching we had to challenge a lot of stereotypes, particularly from the British media. “They’re coming to steal our jobs” is a common misconception we have to challenge in our classroom. So, we say “Actually, they’re not coming to steal our jobs, they’re filling the gaps in our labour market that you guys don’t wanna do”.

– Geography teacher from England

With this topic, you quickly notice what the family’s sentiments are. At this age of 14 to 15, opinions of students are commonly very much influenced by their parents. (…) Often, when negative stereotypes are voiced, other students also counter them or I might address them in class. But if students said something really harsh, I would also reach out for help, as I don’t know if I would feel so comfortable dealing with this by myself.

Geography teacher from Germany

Those teaching in more ethnically diverse schools shared very different experiences. Students were often very excited to discuss migration, and particularly to share their own or their families’ stories. Migration is a normal part of students’ lives, whether this is because they have a migratory background themselves or because many people in their social circles do. Teachers often harness this experience by designing project work that asks students to research their own background, and later present it to the class. One Austrian teacher highlighted that this also has a high potential to empower students with migratory backgrounds within a curriculum that is biased towards national culture and history and can make the student feel that his/her story, background or identity is somewhat less relevant.

In my experience, some students, for example with a Turkish background, often feel like their experiences are ‘second class’ and less valuable than that of other students.

– Teacher from Austria

Classes on migration can change this, by allowing these students to explore and share their diverse backgrounds, but also by providing room for questions that simply aren’t asked at home:

I remember a Moroccan-Dutch student, who was born in the Netherlands, asking me if he was a guestworker. He had just read in the text-book that former guestworkers came from Morocco and Turkey.

– Geography teacher from the Netherlands

However, teachers also expressed the importance of sensitivity when planning such lessons, to make sure students are comfortable with talking about their background, particularly if some students have had recent and/or traumatic experiences related to migration.

Teaching material on migration: Often scattered, outdated, too abstract

When preparing for discussions on migration, many teachers expressed that they struggled with finding suitable teaching material. Textbooks and other material are often outdated due to the fast pace of migration dynamics, so that teachers often have to create their own material from scratch to work with accurate numbers and case studies that are matching the migration experiences students can relate to. Furthermore, the interviewed teachers sometimes mentioned that textbooks – particularly older ones – often featured problematic and stereotypical representations of migrants and migrant journeys, making teachers reluctant to use the material in class.

Some teachers also lamented that textbooks focussed too much on the abstract, structural level of migration. While this was seen as an important part of classes on migration, these teachers were missing material that presented migration in a more tangible, relatable and experienceable way, for instance by breaking down the topic to the individual level and looking at individual stories, to learn about the complexities of migration and the diversity of migration experiences.

That is an ongoing thing for us, to look at individual migrants’ stories and trying to give them a more personal level, so they can actually appreciate that these are actual, real people, it’s not this abstract concept.

– Geography teacher from England

Some teachers go one step further and invite migrant storytellers in the classroom, or plan excursions to experience and thereby learn about migration first-hand.

I always let my students work on a practical assignment on migration, instead of reading something about this subject. I tried to arrange some kind of exchange with students from a nearby asylum reception center (…). [I didn’t want] my students [to] ‘learn’ about a group of people but instead simply spend a day together and unconsciously get to know more about concepts such as migration, culture and integration.

– Civics teacher from the Netherlands

While there is a lot of new teaching material on migration published in the last five years, particularly produced by German charities or NGOs, many teachers said they were looking for more interactive, exciting ways to teach about migration. This could include different audio-visual methods, like using videos, online platforms or video games. Some teachers also asked us to integrate creative projects into our teaching material, where students produce their own podcasts, videos or posters that are then presented to the class.

Throughout the interviews, teachers also emphasised the great potential of role plays and educational scenario games. Examples mentioned were a step-by-step simulation of migration journeys or the Albatross game (link in German) that challenges stereotypes and encourages intercultural engagement. Such activities offer students a great opportunity to explore a different lens on migration, as they adopt different roles and thereby reflect on their own perspective and position.

Yet, teachers often have to come up themselves with such games and produce the material needed, and frequently the time to prepare such interactive teaching is simply lacking. Even where material is available, this is often not editable to adapt to the specific context, curricula and learning goals of their class. For us as TIES team, this is an important insight: Teaching material not only needs to integrate varied interactive methods, but also needs to be flexible and open for editing by the teacher as well as well-tailored content-wise to different curricula for teachers to make use of them.

Dedication of teachers

Overall, what stood out from the interviews was the extent to which teachers’ dedication and creativity is key for teaching socially critical issues in the classroom. In each and every interview, we were able to experience first-hand how innovative and engaged teachers across Europe are. The first person we interviewed was Kerstin, who is both a TIES team member and a middle and high school Geography and Economics teacher from Austria. With the aim to prepare her students for a prosperous future, Kerstin strives to provide them with as much knowledge on relevant (social) topics as possible. Her teaching often goes beyond the material covered in schoolbooks, in order to facilitate a learning experience that truly relates to the world of her students.

Like this first interview with Kerstin, the conversations with the many enthusiastic teachers across Europe were a great source of inspiration and information for the TIES project. While there were many differences in countries, (pedagogic) school backgrounds, and course curricula, all teachers shared a similar passion in educating youth. These teachers took it upon themselves to continuously develop and adapt their teaching to the fast-changing world outside of the classroom.

They create innovative exercises, brainstorm with colleagues on teaching methods, and self-educate on the experiences and needs of students to develop their teaching practices. A History teacher from the Netherlands explained how she tries to challenge herself by developing new and interactive exercises, every schoolyear. This schoolyear, her Junior students create a children’s book on the economic crisis, through which they get to develop their ability to transfer text-book information into a creative format that should be comprehendible for all ages.

Some teachers also expressed their interest in partnering up with other European schools that might use TIES in the future, as a way to bridge educational and cultural gaps between different countries and their students. The extensive knowledge of these teachers, along with their passion for teaching and willingness to share their expertise, both inspired and motivated us to bring the TIES teaching modules to another level.

The way forward

The interviews showed us the many ways in which teachers across Europe go above and beyond to educate the youth on crucial topics which will help them develop into (young) adults actively participating in society. Teachers consider migration to be both a highly relevant and exciting topic for students, something that many say is not well reflected in curricula, where migration is often only a side topic.

While there is plenty of teaching material on migration out there, teachers often experience this as outdated or inefficient in its use. Teachers are also actively looking to integrate engaging, interactive methods to teach migration, but often struggle to find the time to plan and prepare for these. Teaching modules on migration should be adapted to the globalized world we live in today, both in content and practicalities.

As the TIES team, our goal is to assist these teachers by providing interactive, easy to use, and up to date teaching modules that present the multifaceted dynamics of migration in a more nuanced way. For this, we are grateful to be able to cooperate with and draw upon the ideas and expertise of the many dedicated teachers from across Europe.

Two girls reading leaning on each other's backs

The TIES project adapts to Covid-19

The TIES project started in September 2020 just before the second Covid-19 wave hit Europe. The pandemic has not only altered our work on the project but is also changing the ways in which we do and think about teaching more broadly. The current measures have strongly affected our original project plans: many schools have moved their teaching online, making it difficult to engage with school teachers and pupils alike. Travelling across Europe has been strongly restricted, so engaging teachers from different European countries face-to-face to discuss teaching migration at school has thus practically become impossible. Last but not least, the local Covid-19 regulations have impacted us as a team as we cannot meet in person. 

I explained in a different blogpost why I think that youth should learn about migration at school. Originally, when we developed the idea for the TIES project last year, we formulated three objectives: 

  • to develop, in close dialogue with students and teachers from different European countries, a set of best practices on how to teach migration at schools in a participatory way; 
  • to develop ten 45-min learning modules covering main aspects of global migration and to tailor each of these modules to curricula across different European countries;
  • to set up an easy-to-use website where teachers, educational stakeholders, students and migration scholars can inform themselves about the project and can download the open access modules in six European languages. 

We initially wanted to start off the project with a set of focus group discussions in Amsterdam in December 2020 which would bring together teachers, migration researchers, students from diverse school types, and storytellers. This would have allowed us to collect best practices on how to mobilise existing research and teachers’ pedagogical experience, to gather students’ motivations and knowledge desires about migration and to get inspiration about participatory and interactive teaching methods in diverse classrooms. Based on this first stock-taking, we intended to draft a best practice infosheet, narrow down the topics of the modules and develop one exemplary teaching module, which would then be evaluated in a second focus group discussion later on. In the second year of the project, we then planned to develop the remaining nine teaching modules and translate and test them in different school settings before they would go online. 

Projects rarely go ahead as set out in neat project proposals – this is nothing new. But the current pandemic has added an additional layer of complexity as we needed to develop contingency plans and adapt strategies to a constantly changing context. This requires not only mental flexibility but also a high tolerance to frustration when things move ahead more slowly or differently than planned within an unknown time horizon. Yet, it has also opened up new spaces to rethink teaching and working together. 

How have we adapted our original project design? 

  • First, instead of our first workshop, we have started to interview teachers across Europe virtually to map how migration is taught at secondary schools in different European countries and to understand what teachers’ challenges and specific needs are when it comes to teaching migration. 
  • Second, we will organize interventions in Amsterdam schools in early summer 2020 (off- or online depending on the Covid-19 situation) to engage students in a conversation about migration, to understand their specific interests and collect feedback on two modules. 
  • Third, we will organise a series of short, hands-on workshops in spring and summer 2021 in Amsterdam (again, either offline or online). They will offer a crash course on migration with researchers, training sessions with educators on interactive teaching methods such as storytelling and audio-visual methods, and focus group discussions with the interviewed teachers and ideally students who participated in the school visits. 
  • Lastly, we will extend the project for an additional year, to mid-2023, thanks to National Geographic’s flexibility about grantees’ needs to change project dates.
Virtual meeting with the TIES team

Other aspects have moved ahead as planned over the past three months: We have found Bomburo, a multidisciplinary graphic design studio based in Amsterdam, who has been building our website. Their founders, Silvia Celiberti and Stratos Tzanavaris, give priority to projects that initiate positive transformation at a societal, cultural, and environmental level.

Also, our TIES team has grown! In September, we hired three student researchers: Dunja Battouy, Josef Neubauer and Kristina Hansen. Dunja and Josef have been busy setting up interviews with teachers in Germany, Austria and the Netherlands, while Kristina has thought about creative ways to use audio and sound as interactive teaching tools. Simona Vezzoli, Katharina Natter, and I have narrowed down the topics for the teaching modules and reflected on content, learning objectives and exercises. We are very excited that our homepage is now up and running and look forward to sharing insights, work in progress, as well as the teaching modules with you over the next years!